Nick Heer

“For all the grandiose talk about The Light Of Consciousness and The Future Of Humanity that has come out of Silicon Valley during its ascent, what it has delivered has mostly been spectacularly useless, lifeless, and anti-human. In this sense, it reflects its owners perfectly.”

“Kodak slowly began to fix this bias in its film, but not out of any sense of racial injustice: it was a response to complaints from furniture makers and chocolate sellers that Kodak cameras couldn’t properly capture their products’ hues.”